X
Medium and Technique:
Acrylic on plywood
Dimensions:
140 cm × 140 cm
Year:
2025
This X-shaped work visualizes the collision point where a natural river flow meets an industrial waste stream. The interlocking composition captures how aquatic botanics are caught in this intersection, becoming fragmented and artificially colored by the synthetic influx. In this fractured landscape, the organic rhythm of the water is overtaken by the rigid, permanent geometry of human production.
Erosion
Medium and Technique:
Acrylic on canvas
Dimensions:
120 cm × 120 cm
Year:
2026
This work explores the erosion of aquatic systems through the literal fragmentation of its own geometric order. The breaking of the pattern mirrors a disappearance of the natural order, where once-fluid cycles are interrupted by structural decay and voids. Within this fractured landscape, isolated botanical forms remain as remnants of a resilience that is being slowly overtaken by environmental instability.
Pond
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2024
In a contemporary dialogue with the Impressionist tradition—specifically Manet’s Water Lilies—this work presents a pond where the seemingly stable, endless pattern of nature is quietly undergoing a synthetic transformation. The colorful fragments embedded within the water lily blossoms represent a stage of biological "infection," where microplastic pollutants merge with and alter natural botanical features. It captures the unsettling moment where industrial waste becomes an inextricable part of the next generation of life, woven directly into the fabric of the aquatic world.
Extinction of Species
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2025
The composition centers on a visual "glitch" in the natural order. Vibrant yellow blossoms, representing the diversity and vitality of aquatic life, are shown in various stages of displacement. As the pattern repeats, these organic forms begin to fragment and dissolve, transforming into sterile, white geometric clusters. These stark shapes represent the encroachment of plastic debris, suggesting a future where the pulse of the ocean is no longer defined by life, but by the indestructible rhythm of synthetic waste.
By using a structured, almost mathematical pattern to depict this environmental collapse, the piece highlights the systematic nature of species extinction—a slow, rhythmic erasure where the natural is gradually replaced by the artificial.
RNA (Ribonucleic Acid)
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2025
Built with architectonic precision, RNA (Ribonucleic Acid) visualizes the internal logic of our genetic blueprint. The rhythmic, interlocking geometry creates a deep chromatic space, mapping a cellular world that is being systematically re-coded by its environment.
This order is punctuated by a sharp optical tension, as bright fragments of microplastics infiltrate our most fundamental material. By embedding these synthetic markers directly into the grid, the work captures a moment of genetic corruption—where industrial waste is no longer external but has become a permanent, hereditary part of the human body. The piece serves as a conceptual ledger for a future where the biological and the synthetic have merged, irrevocably altering the trajectory of future generations.
Disrupted Roots
Medium and Technique:
Acrylic on canvas
Dimensions:
120 cm × 120 cm
Year:
2025
Centered on the traditional Lithuanian "lily" motif, this work explores the tension between the slow, meditative process of folk weaving and the relentless pace of fast fashion. The organic greens of the natural landscape—the very source that feeds our textile traditions—clash with the jarring, toxic palette of chemical dyes and fossil-fuel-based fibers like polyester. This composition captures a moment where traditional botanical motifs are overtaken by the permanence of industrial pollutants, reflecting a deepening disconnection from both our ecological and textile heritage.
Nida
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2025
Nida presents a marine composition of the Baltic Sea horizon, where the honest sentiment of a sunlit sea is confronted by the material reality of industrial decay. The natural phenomenon of "sun glitter"—the sparkling light reflecting off waves—is transformed into a rhythmic field of colorful, synthetic fragments representing microplastics and submerged WWII chemical weapons. This shift captures the tension between a deep human attachment to the sea and the structural erosion of our time, suggesting that even our most cherished memories of the horizon are now filtered through a lens of waste.
Rain
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2025
This geometric abstraction maps a profound compositional dissonance between the natural water flow and the arrival of polluted acid rain. The rhythmic, zigzagging blue planes of the current are punctuated by sharp, synthetic-colored droplets that intersect the established order in a mismatching pattern. This layering of conflicting rhythms captures the moment where atmospheric decay transforms the rain into a source of environmental harm, disrupting the delicate hydrological cycles that underpin our collective climate resilience.
Broken Sunset
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2025
Broken Sunset transforms a precise geometric field of interlocking, stepped blocks into a visual metaphor for the total erosion of nature's patterns. This precise, sterile logical grid illustrates how the fundamental rules of biology and physics are fractured by industrial overproduction. The single, isolated, hard-edged red sphere in the corner—a sun that can no longer set—symbolizes the final dissolution of organic order and cosmic resilience. It captures the moment where systemic collapse expands beyond a micro-scale, suggesting that by breaking our vital ecosystems, we inevitably fracture the logic of the broader universe.
Ocean, Intertwined
Medium and Technique:
Acrylic on canvas
Dimensions:
100 cm × 140 cm
Year:
2024
This work serves as a structural autopsy of the modern ocean, where the endless production of synthetic threads—from fashion waste to abandoned fishing nets—has become inextricably interwoven with aquatic life. The composition creates a tension that locks the fluid waves into a rigid, unnatural stability, disrupting the organic rhythm of the tides. This geometric entanglement captures the moment where the pulse of the sea is overtaken by the permanence of industrial waste.